In the new issue hyphenmagazine.com talks about Cambodian Film Version 1.5 (the 1.5 generation of Filmmakers)
“Until recently, the narrative paradigm for most Cambodian stories in film begins in blissful, pre-Khmer Rouge Cambodia and concludes with the flight of refugees to another country. However, a new crop of Cambodian films have begun moving beyond a focus on trauma to the survival of day-to-day anguish experienced within the Cambodian community in contemporary U.S. society. Three films, in particular- Samnang – The Film, Paulina, and A River Changes Course – illuminate the deeply-held yearning for normalcy and battle for self-preservation that follow the experience of trauma after immigration to a foreign country. Today, new approaches at storytelling are emerging as the 1.5 generation of Cambodians (or Khmers) in America moves into adulthood.”
“With roots in Cambodia and present lives in America, 1.5-ers often feel that neither country completely defines their cultural identity. From the understated yet poignant depictions of solitary immigrant life by writer Vanara Taing in Samnang, to the portrayal of gambling addiction and post-traumatic stress disorder in Caylee So’s Paulina or the dire presentation of Cambodia’s ecological predicament in Kalyanee Mam’s A River Changes Course, 1.5 generation filmmakers’ contemporary stories move beyond their predecessors’ traumatic narratives of war, autogenocide and dislocation toward new ways of formulating questions around issues of culture and historical identity.”
Pick up a copy @ www.hyphenmagazine.com to read more.
*Below are photos, taken of the printed magazine.